Genre
- Contemporary Theatre
Language
English, PolishAge recommendation
14+- Production
NOWY TEATR & CAMPO
- Venue
&Louhi, Espoo Cultural Centre
How to get there & services - Duration
1 h, no intermission
- Language
English, some Polish
- Surtitles
Finnish and English on the stage
- Notes
Strobes
About
What others are saying
"This delicately structured, understated production plays with questions of truth, pretence and shame."Helen Meany / The Irish Times
"With a powerful dramaturgy and a minimalist direction, Polish theatre-maker Gosia Wdowik explores the link between burnout and activism."Francesco Chiaro & Danja Burchard / i.c.a.p.
"Wdowik invites us into a sluggish, dense and torpid world made of spilled glasses, heavy limbs and even heavier bedcovers in which everything is literally fuming with exhaustion."Fabrizio Migliorati / Persinsala Teatro
Työryhmä
Concept, text & direction | Gosia Wdowik |
---|---|
Performers | Oneka von Schrader, Gosia Wdowik, Jaśmina Polak |
Visuals & creative technology | Jimmy Grimma |
Set design | Dominika Olszowy & Tomasz Mróz |
Light design | Aleksandr Prowaliński |
Sound design | Jakub Ziołek |
Pricing
- Standard28 €
- Small group (4+)26 €
- Pensioner25 €
- Groups (20+)25 €
- Student, unemployed, under 2518 €
- Theatre professionals (10 days before)18 €
Gosia Wdowik
Gosia Wdowik (°1988, she/her) is a theatre maker and active member of GILDIA, The Union of Polish Theatre Makers. Her heart is based in Poland, but her imagination is always somewhere else. During her Master Studies at DAS Theatre (2020-2022), she worked with the topic of burnout and explored the space between exhaustion and agency by implementing methods from activism into her artistic practice. Her main question was: how to create both theatre and change from a place of exhaustion? In May 2023, her graduation work (DAS Theatre) She was a friend of someone else premiered at the Kunstenfestivaldesarts in Brussels.
In her recent performance Shame (NOWY TEATR, Warsaw) she explored social shame connected with the working-class origins in her own family, over three generations of women.